:iidrr Talks with Feimo Zhu
December 2024
Feimo Zhu
@feimoart
Feimo is an illustrator who has always been interested in interdisciplinary research, and she is eager to communicate with people from different academic backgrounds. She is a current MFA illustration graduate student at Syracuse University. Her art is usually about science, history, and fashion topics. She enjoys using her illustration art to tell beautiful and moving stories to audiences. Her clientele includes S.I. Newhouse School of Public Communications, The Daily Orange, The School of Art of Syracuse University, Samsung, WHO, SUNY Upstate Medical University, The Metropolitan Museum of Art, SHEIN, KU Architecture Department, Kansas UEI, etc.
Can you share how your journey as an illustrator began? What initially drew you to this field?
FZ: As a child, my introverted nature often left me feeling isolated and without friends. However, I discovered a powerful outlet for my thoughts and emotions through drawing. The encouragement I received from family and friends to pursue art helped me build a strong sense of confidence. In those moments of creation, when I’m immersed in my illustrations, I feel a profound sense of freedom and self-expression.
Your work bridges science, history, and fashion. How do these diverse influences shape your creative process?
FZ: As an artist with a deep passion for interdisciplinary research, I've found that having diverse interests can be a double-edged sword. On the one hand, these varied passions inspire me to explore captivating creative themes. On the other hand, they can lead to confusion during the initial stages of my creative process. Balancing these interests is a continuous journey that fuels my inspiration and challenges me to find clarity.
What role does interdisciplinary research play in your art, and how does it push the boundaries of illustration as a medium?
FZ: Interdisciplinary research has consistently served as a wellspring of inspiration for me. In my illustration work, I relish the opportunity to push the boundaries of different painting mediums. Through this approach, I aim to transcend the limitations of my artistic perspective, leveraging insights from various fields. I firmly believe that artists should cultivate independent thinking, as history shows we are often at the vanguard of innovation and change.
In your artist statement, you mentioned using art to explore the ultimate mysteries of the universe. Can you elaborate on this philosophical approach?
FZ: At a young age, I realized that verbal communication wasn't my strong suit. In fact, the scope of what we can express through spoken language is quite limited. Even when we share the same language, misunderstandings and contradictions often arise in our interactions. This is why I find my illustration art to be a more intuitive form of communication. I believe that images can convey intricate and nuanced information in ways that words sometimes cannot. The simplicity of visual expression often brings us closer to understanding the deeper mysteries of the universe.
You’ve worked with a wide range of clients, from institutions like The Metropolitan Museum of Art to global brands like Samsung. How do these collaborations inform your artistic practice?
FZ: Collaborating with these global brands has enhanced my artistic expression and deepened my ability to integrate diverse influences into my work.
What’s the most challenging project you’ve worked on so far, and what did you learn from the experience?
FZ: The most challenging project I have undertaken to date is my MFA thesis, which explores the history of World War II. As a passionate advocate for peace and an opponent of war, I felt compelled to engage with serious themes rooted in history. Tackling such a significant historical subject presented numerous challenges, especially in terms of academic research. This thesis became my first foray into this complex territory. Although the journey was arduous and filled with obstacles, I am grateful for the invaluable experience I gained along the way. Moving forward, I am eager to continue pushing my creative boundaries and producing more works that engage with profound historical themes.
If you could develop a new genre of illustration, as you aspire to, what would it look like and what themes would it explore?
FZ: I aspire to cultivate a distinctive visual language in my illustrations that transcends cultural boundaries. Regardless of one’s origin, cultural background, or language, I envision a form of artistic expression that allows us to communicate effortlessly and without barriers. My goal is to create imagery that speaks to the universal human experience, fostering connection and understanding among people from all walks of life.
How do you balance creating art that is both deeply personal and universally communicative?
FZ: My illustration style is distinctive, yet the themes and messages conveyed in my work hold universal significance. I aspire to use this unique visual language to foster genuine and equitable spiritual connections with audiences worldwide. Through my art, I aim to create a shared understanding that resonates deeply across diverse cultures and experiences.
What advice would you give to artists looking to break down cultural and geographical barriers through visual language?
FZ: I aspire to cultivate a distinctive visual language in my illustrations that transcends cultural boundaries. Regardless of one’s origin, cultural background, or language, I envision a form of artistic expression that allows us to communicate effortlessly and without barriers. My goal is to create imagery that speaks to the universal human experience, fostering connection and understanding among people from all walks of life.
What’s your favorite place to find inspiration in New York City? Do you have a spot that sparks creativity?
FZ: I often find solace in cafés and on park benches. I enjoy observing the people around me and imagining the life stories behind every face I encounter. Each individual seems to carry a unique narrative, and I love the sense of connection that comes from envisioning their experiences and dreams.
Are there any books, films, or other cultural works that have profoundly influenced your artistic perspective?
FZ: I have a deep appreciation for Han Shan's poetry, and he is my favorite Zen poet, and his life story captivates me. I admire the way he approaches life's hardships and setbacks with a detached, carefree attitude, finding inspiration and solace in his perspective. His work resonates with me profoundly, offering insights into resilience and tranquility in the face of adversity.
If you could collaborate with any artist - living or historical
- who would it be and why?
FZ: I always viewed artists as individuals who often lead deeply introspective and self-directed lives. As a result, I haven't yet discovered any artists whose work I consider a particular favorite. Each artist has their unique journey, but I appreciate the diverse expressions of creativity without being drawn to any specific one.
Do you have any rituals or routines that help you get into the creative mindset?
FZ: I have a habit of keeping a sketchbook, where I capture my thoughts and experiences on the go through sketches and notes.
What’s a medium or tool you’ve always wanted to explore but haven’t had the chance to yet?
FZ: AI technology, as well as reality virtual technology.
Finally, is there anything else you’d like to share about your artistic journey, or themes you’d like to highlight in your feature?
FZ: Key for any artist is to authentically embrace their inner voice.
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